![]() There is magic brewing in the music and words of “American Pie,” for McLean’s lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel “On the Road.” It’s important to think of “American Pie” as one would of Henry Longfellow’s “Evangeline” or Johnny Mercer’s “Moon River” – an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. ![]() ![]() Having recorded his first album, “Tapestry,” in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the “generation lost in space.” When his cultural anthem “American Pie” was released in November 1971, it replaced Bob Dylan’s “The Times They Are A Changin” as the Peoples Almanac of the new decade. Rock ‘n’ roll in those days was sort of like hula hoops and Buddy hadn’t had a big hit on the charts since ’57.” By cathartically writing “American Pie,” McLean has guaranteed that the memory of those great musicians lives forever. “The next day I went to school in shock and guess what?” McLean recalled. “The Big Bopper” Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. ![]() ![]() McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. Douglas Brinkley Courtesy Douglas Brinkley ![]()
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